Legal DRM-free music

I haven’t been this con­fused over a cool Inter­net ser­vice… prob­a­bly ever. AmazonMP3 is simul­ta­ne­ously one of the most excit­ing things to hap­pen in online music ever, and a source of great per­sonal confusion.

I want to use it (and will) because it’s freak­ing awesome. The bitrate thing doesn’t mas­sively con­cern me… gen­er­ally speak­ing, I can’t tell the dif­fer­ence (though I will con­tinue to rip my CDs as loss­less, mostly in case I lose them). What con­cerns me is the poten­tial under­min­ing of my CD-store perus­ing ways as a result! I haven’t had to con­sider this until now because main­stream music sim­ply hasn’t been avail­able in a rel­a­tively open (don’t give me crap about MP3 patents, any­one can read them), DRM-free format.

It ships with art­work but that so doesn’t count.

Oh, so appar­ently this post was a waste of time. Of course, it’s only licensed for US sales. I don’t know why that didn’t occur to me, but it didn’t. Now I’m grumpy. And irra­tionally crav­ing popcorn.

Well, if you’re in the US and using iTunes… stop. This is pretty cool for you guys, mean­while I’ll keep buy­ing my grey-market imported CDs (which is com­pletely legal in Aus­tralia and morally fine). All that’s stand­ing between me and Amazon’s MP3 music is a US ship­ping address for invoices, pre­sum­ably, so I totally could just make one up. Not break­ing any law that I’m under there. But what­ever, it’s all too messy.

Yeah, that’s right, record com­pa­nies screwed it up again.

We’ll get there, one day…

# by Josh Street on September 26th, 2007 Tags: , , , , ,
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DRM Sucks, part MMMCVII

Not like this hasn’t been said before, but I recently dis­cov­ered a par­tic­u­larly retarded instance wherein DRM broke (and not for good). In this case it was a “bonus track” on a CD that had to be down­loaded sep­a­rately (prob­lem num­ber 1) and I’d let the CD dis­ap­pear (I own the bloody thing some­where, so sue me) but still had a 320kbps VBR-encoded MP3 copy sit­ting on the file­server here. In the same folder as the MP3s was a WMA file laced with that cer­tain poi­son — and here’s what it did when Win­dows Media Player went to acquire rights automagically:

cybersquatters on media usage rights acquisition page in windows media player

And peo­ple won­der why I refuse to buy music online.

# by Josh Street on August 23rd, 2007 Tags: ,
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Windows Media 11 and ripping alternate formats

I said yes­ter­day that I’m a fan of what Microsoft have been doing of late and Slash­dot­ters are idiots. One rea­son for that is IE7, as that post dis­cussed, but in terms of what other things Microsoft have been doing I didn’t really men­tion any­thing. Well, one new Microsoft prod­uct that does immensely sen­si­ble things is Live Mes­sen­ger 8.1 Beta (see, I didn’t call it MSN any­more!) which finally lets you appear offline and con­tinue con­ver­sa­tions with­out hav­ing to close win­dows… it’s a pol­ish release, and feels good.

More sig­nif­i­cantly, though, is Win­dows Media Player 11. It’s got a new inter­face, plenty of usabil­ity tweaks, a bunch of music store enhance­ments (eugh, sorry, I can’t be pos­i­tive about this one) — notably URGE — and prob­a­bly more DRM to go along with it, and an even-better-than-version-10 CD-ripping interface.

It’s designed as a one-click process, but makes selec­tion of for­mat, bitrate, etc. com­pletely quick, easy, and painless.

Screenshot: Windows Media Player rip dropdown format options

It’s great.

My only qualm is that it’s impos­si­ble to select any other for­mat than the ones orig­i­nally pre­sented. Sure, this is a Microsoft prod­uct and it’s tar­geted at computer-illiterate types the world over and hav­ing an “add your own command-line encod­ing option” option prob­a­bly isn’t great from a usabil­ity for all per­spec­tive, but what’s wrong with hav­ing the option there? I’m not going to rip my music in a DRM for­mat, ever.1 It’s just not going to hap­pen. I’ll sooner be stuck lis­ten­ing to CDs and scratch­ing them to death and then buy­ing new ones. You already give me the option to rip an MP3, so why not other for­mats you can’t control?

The only rea­son I can come up with is that other, com­pet­ing, for­mats are tech­ni­cally supe­rior. You feel threat­ened by FLAC (were it to become widely adopted) as it is supe­rior to WM Loss­less… prob­a­bly because it lacks DRM. Jus­ti­fi­ably, you don’t feel so threat­ened by MP3 as it is, in gen­eral, infe­rior in every way (except it lacks DRM) — even though it has mas­sive penetration.

Even that pen­e­tra­tion is slip­ping because peo­ple don’t change defaults and are rip­ping their music using Win­dows Media Player or iTunes. So, you know, there’s less to be lost by let­ting the geeks play with their zany open source for­mats. The pro­les will never actu­ally know or care enough to embrace them, you keep your con­trol, and an under­class (or silent rul­ing class?) ben­e­fits and is endeared towards your brand. And, of course, geeks are vocal about prod­ucts: I love Win­dows Media Player 11, but this lit­tle thing really gets to me. If you give me that, then I will be so happy with it I’ll be con­stantly try­ing to con­vert iTunes users — admit­tedly, I’ll prob­a­bly fail because their col­lec­tions are under pro­pri­etary lock and key and their hard­ware has bound them to it, but in a cou­ple of years when their iPod bat­ter­ies die they’ll see the error of their ways.

Geeks will too read­ily pros­ti­tute them­selves and become prod­uct evan­ge­lists — but, beware, we are noto­ri­ously given to infidelity.

1. I will, how­ever, rip my music in non-rights man­age for­mats and let soft­ware con­vert it as nec­es­sary for play­back on retarded hard­ware devices. I haven’t required hard­ware that has such dra­con­ian require­ments yet, but if I ever do, this will be the clos­est I get to compromising.

Again with the DRM’d music

I want to buy a CD right now. I’ve heard an artist I love, I want to hear more of it, and I can’t buy it online. Well, I pos­si­bly could (though as an artist on an Aus­tralian indie label they’re prob­a­bly not exactly avail­able through URGE or iTMS) but cer­tainly not in any instantly-gratifiable way. Which is really the rub, isn’t it?

If I bought DRM’d music, I could have it now. If I wait a few days, I can have it DRM free. This applies as much to obscure artists on indie labels as it does to top 40 hits: even so-called ‘enhanced’ CDs are close enough to Red Book spec that you can rip the guts out of them to beau­ti­ful loss­less FLAC files with­out much difficulty.

That’s what’s so bloody illog­i­cal about this whole conun­drum: I can still get con­tent in better-than-iTunes qual­ity with­out DRM. I just can’t have it now.

Why not just let me have it now as an MP3 (OGG or FLAC would be nicer, but I’d set­tle for less ;-)) whilst I wait for the CD to arrive? What about this model doesn’t make sense? I would buy so much more music if licensers played to my at-computer (or, in this case, in-room at-radio) impulse buy­ing ten­den­cies. I doubt they’re ever going to get it.

# by Josh Street on November 4th, 2006 Tags: , ,
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From the “If you buy DRM’d music it’s your own stupid fault” department

“Microsoft’s iPod-killing Zune player won’t play music that’s locked up with Microsoft’s own anti-copying software.”

Via a ZDNet blog via Slash­dot

See also my angry post from last week about copy­right and dig­i­tal media in Aus­tralia.

Even if you’re not a geek this STILL AFFECTS YOU. Own an iPod or any other MP3 player? Have iTunes on your computer?

New Matthias website (July 2006)

Screenshot: New St Matthias website

Launched very very qui­etly about a week ago. It’s hardly content-ready but that should hope­fully come over the next week or two. We’re keep­ing busy and hope­fully there’ll be blog thin­gies going even­tu­ally. It’s cur­rently built around Word­Press, which is a choice I made a few months ago [and now… you fin­ish this sen­tence]. The con­tent was tak­ing ages to get per­fect so our staff team decided it’d be best just to launch it and replace the old thing. So now we’ve got an incom­plete new web­site! ;-) But it’s get­ting some­where, praise God for the gifts of tech­nol­ogy for communicating!

The upcom­ing events thing doesn’t have any­thing yet (and should), and will be incred­i­bly inter­est­ing. I think the cal­en­dar sys­tem is prob­a­bly still too counter-intuitive (it’s a Word­Press plu­gin designed to link to blog entries) so I prob­a­bly need to look at other options for that. There’s also a dis­tinct lack of media library aspects that could mean more work when graph­ics or other doc­u­ments need upload­ing, but we can address that in good time. By address, I mean change to a real con­tent man­age­ment sys­tem. Sigh, no-one but myself to blame, really.

Speak­ing of church web­sites, I found one in the Syd­ney Angli­can dio­cese that I actu­ally like! Shock, hor­ror! It belongs to St Peters Church Cooks River (located in St Peters the sub­urb, that is). I’d prob­a­bly make the nav­i­ga­tion square on the cor­ners and if I were to use anti-aliased text make it some­thing leg­i­ble, or just plain HTML nav, but other than that I quite like the feel of the site. The less I say about markup the bet­ter, I think. It’s all done with Dreamweaver tem­plates, which is an awe­some option I’d be tempted to embrace but for the cost which we really can’t afford for the flex­i­bil­ity it doesn’t give com­pared to a multi-user CMS. One other new web­site of note is Moore College’s recent update. Seman­ti­cally beau­ti­ful, solid design, okay CSS imple­men­ta­tion (it… really doesn’t work too well at higher res­o­lu­tions in Opera at least, I can’t be both­ered open­ing another browser right now)

Any­way. Ours is good for the minute. It’s get­ting bet­ter, promise. And we’ll have half-decent cre­atives for it some­time in the hopefully-not-too-distant future once the one or two graphic design­ers in our midst are politely roped into cre­at­ing such things :) I’d love to see more blog con­tent, pub­li­ca­tion of more mate­r­ial we pro­duce inter­nally (most recently is the sheet on “How to choose a good church”, but there are plenty of oth­ers), a high-quality kid’s/youth min­istry sec­tion (not just for youth — Dave Blowes is try­ing hard there with the JAM web­site — but for shar­ing what we’re doing with par­ents and childrens/youth pro­grammes at other churches), greater mul­ti­me­dia stuff (mostly for those who aren’t reg­u­lars at Matthias and want to see what we’re doing, but also for archival pur­poses), elec­tronic giv­ing to make that eas­ier, and online part­ner data­base that would effec­tively be a search­able church direc­tory (secured, obviously).

I’m just pray­ing we don’t slide down the slip­pery path into tech­nol­ogy depen­dence along the way, because it scares me so much. I’m not afraid of us turn­ing into a church that embraces tech­nol­ogy and uses it effec­tively and exten­sively: I’m afraid we’re going to wake up one day and will be play­ing a video that’s all about a pas­sage from scrip­ture instead of actu­ally read­ing the bible itself in a meet­ing. I’m not afraid of the power of media under God: I’m afraid we’ll see the power of media and slowly God could slip from the pic­ture as we think we can evoke a response using it with­out turn­ing to His word.

This is the sin­gle most dif­fi­cult thing for me about being involved with tech­nol­ogy imple­men­ta­tion in an Evan­gel­i­cal church in Syd­ney. We’re new to this stuff. The dif­fi­cult thing is that it hasn’t been done before (except in Pentacostal/‘charismatic’/AoG cir­cles, which are slightly dif­fer­ent — I won’t com­ment fur­ther for fear of say­ing any­thing divi­sive here), and even where it has been it’s not been done holis­ti­cally. Approach­ing media is approach­ing the world’s way of com­mu­ni­cat­ing, which is so decep­tive and shal­low and often ill-informed. The chal­lenges that face us are rel­a­tively new, though their essence is not. We must hold onto what we believe whilst try­ing to com­mu­ni­cate those beliefs as clearly and effec­tively as pos­si­ble — but our com­mu­ni­ca­tion is noth­ing with­out the growth pro­vided by God.

What then is Apol­los? What is Paul? Ser­vants through whom you believed, as the Lord assigned to each. I planted, Apol­los watered, but God gave the growth. So nei­ther he who plants nor he who waters is any­thing, but only God who gives the growth. He who plants and he who waters are one, and each will receive his wages accord­ing to his labor. For we are God’s fel­low work­ers. You are God’s field, God’s building.

1 Corinthi­ans 3:5 – 9

Plant­ing and water­ing can take the form of a DVD or a web­site or a ser­mon in MP3 for­mat as read­ily as it could a book or an evan­ge­lis­tic ser­mon: none of these things are any­thing with­out the growth pro­vided by God.

Australian copyright reform; or, the Creation of Sensible Legislation.

SMH Arti­cle: Cut­ting crime as easy as MP3

Woot. The best bit:

Schools, uni­ver­si­ties, libraries and other cul­tural insti­tu­tions will in the future be free to use copy­right mate­r­ial for non-commercial purposes.

Dubi­ous bit:

In a big win for record­ing artists, the laws will include the removal of the leg­isla­tive 1 per cent cap on copy­right licence fees paid by radio broad­cast­ers for play­ing sound recordings.

Dubi­ous because I’m really uncer­tain as to how that’s going to pan out… I’m think­ing it’s actu­ally going to fur­ther inhibit the scope of the music we hear on com­mer­cial radio! Non-commercial radio… well, who knows? Is that a “cul­tural institution”?

We’ll see how it pans out. I’m now keen on get­ting an MP3 player/phone that plays MP3s (and has at least 512MB on an SD card, none of this super-tiny-memory stuff you find in phones). Orange stop oper­a­tions at the begin­ning of August, I think, so I’ve got until then…

# by Josh Street on May 14th, 2006 Tags: ,
| 6 Comments »