Slacker Radio

Slacker Radio Beta screenshot

This ser­vice rocks. It’s free, has a pretty good range of music, and is guar­an­teed to make me buy more music (on CD, because all elec­tronic music down­load ser­vices are still either ille­gal or stupid).

The Flash player kicks butt (there’s a desk­top one com­ing soon), and intel­li­gently hooks into the webpage’s markup to update the title with every new song. It’s gold. Song Title by Artist from Album Name. It says Album Name! I’m sit­ting here scrib­bling down must-acquire ‘90s music.

It uses AAC2+ appar­ently… all I really know is that it sounds great and is stu­pidly easy to use.

Bril­liant.

But pos­si­bly unsus­tain­able… none of my money is going to them. They’re launch­ing hard­ware devices, so this might just be a ploy to get peo­ple to buy them, but I’m more inter­ested in who’s doing all the work. There’s absolutely zero crowd-sourcing going on here that I can see… which means that “Related Artists” list is all pro­fes­sion­ally pro­grammed. I know the Top Sta­tions are, but the artists bit is going a lit­tle far perhaps…

Triple J Unearthed and Myspace and PureV­ol­ume, etc., all do it the other way around, which seems infi­nitely more sen­si­ble… but you need crit­i­cal mass to get there, I suppose.

One to watch. And lis­ten to.

You know you’ve made it big when

Your CDs are fea­tured in $10 CD shops. Clearly, enough stock has been made that there can be excess and demand enough that these places will buy it and hope to move it quickly!

I bought a Switch­foot CD today. And enjoyed it. Their music works a lot bet­ter as an album than as stand­alone songs, espe­cially that hor­rific title track. I don’t under­stand its appeal at all. The rest is quite pleas­ant (and sur­pris­ingly, to me at least, overtly Chris­t­ian — prob­a­bly because they some­how get by with­out men­tion­ing Jesus or Christ or any­thing like that on their website)

Almost sar­cas­tic in places, which isn’t quite what I was expect­ing. I like that sort of thing. Meh.

Also been lis­ten­ing to Sarah Blasko the last week, try­ing to fig­ure out all kinds of clever links to the poem on which the album What the sea wants, the sea will have is based (Coleridge’s Rime of the Ancient Mariner). So far I have noth­ing. Except a burn­ing ques­tion as to the hier­ar­chy of the two — is this like “the film based upon the book”, wherein the more art­ful form is gen­er­ally taken to be that which was prior? Or is there some­thing else afoot, when one can extrap­o­late an entire album from a rel­a­tively straight­for­ward (though admit­tedly tex­tu­ally rich and volu­mi­nous) poem?

There is a cer­tain frus­tra­tion deci­pher­ing con­tem­po­rary works that isn’t there with those of dead white men, sim­ply because with one there is the pos­si­bil­ity of exer­tion to obtain a straight­for­ward answer. That, of course, would be admit­ting defeat — and I prob­a­bly wouldn’t like it as much as the frus­tra­tion, anyway.

What the sea wants is, by the way, a prime exam­ple of why not to buy albums off elec­tronic music stores. The album is phys­i­cally superb (though there are dodgy jewel case ver­sions float­ing around — the card­board one is the good one) in terms of its pack­ag­ing (yay for UV spot printed birds & com­pre­hen­sive liner notes & pho­tos in a sep­a­rate book­let!) and content.

Also speak­ing of com­pet­i­tive advan­tages of… every­thing vs. online music stores… the $10 Switch­foot CD is not, in fact, a CD. It’s a SACD. Pre­sum­ably Hybrid good­ness because it played in an anachro­nis­tic CD player I’m using when in tran­sit at the minute (yes, you read that right. I can’t get a portable device that works with this loss­less stuff, it’s ridicu­lous. And if you dare sug­gest I buy an iPod, the lat­est Bond movie has a method of tor­ture that you may be inter­ested in – saw that film tonight with peo­ple, was good times – though that scene had every male in the build­ing cring­ing mas­sively). I wasn’t sure if it would even work — because, yes, I check the pack­ag­ing that closely before I buy stuff — more for watch­ing out to see if it was infested with crappy doesn’t-really-work-properly copy pro­tec­tion rub­bish than any­thing else. But it did. I don’t know if it’s any bet­ter, but I’ve only really lis­tened to the SACD ver­sion at work on a crappy Dell com­puter. It has bad AC’97 audio which = lots of line noise, etc.

Onboard audio can be okay for play­back (my Venus is but it bloody well should be given how expen­sive it was), just that com­puter wasn’t. And it’s time for me to sleep now so I’m not about to test, or then I’ll have to rip as well and inevitably wind up dis­cov­er­ing some new and excit­ing set of codecs that are bet­ter for SACD for x rea­sons, and so forth, then it’ll be 2am again and… gen­eral bad­ness ensues.

I’ve already sat up and read the Wikipedia arti­cle and lamented the copy pro­tec­tion mea­sures in place. Sigh. *feels like a geek… at least I’m not play­ing Wii ;-)*

People versus search engines

It seems that search engines are an immutable fact of early-twenty-first cen­tury exis­tence. We can’t escape them in any imme­di­ate sense, and can­not believe they could ever dis­ap­pear (I recall one instance on Whirlpool forums where a user thought his/her ISP’s inter­a­tional link must be down because he couldn’t access Google. This was one of the very few times Google had actu­ally dropped off the face of the planet for about twenty min­utes. It was sim­ply out­side the realm of possibility.)

Yet, increas­ingly, our surf­ing habits are defined by this bizarre social con­cept that seems to be shap­ing cer­tainly acqui­si­tions and web-two-point-oh-bubblism, wherein web­sites serve users by con­nect­ing them with one another, not on the basis of them know­ing what they wanted, but rather in a bizarre a pri­ori man­ner whereby degrees-of-separation (MySpace) or user-supplied-already-knowns (Live­Jour­nal, Xanga, etc.) define con­nect­ed­ness and dis­played content.

Search is no longer the macro-inter killer app, but an intra-site facil­ity applied to micro­cosm — often based on “trans­par­ent” tech­nol­ogy that has, on the basis of known knowns (in the words of a cer­tain Rums­feld), already done some of the hard work for users (I should say peo­ple, but don’t out of habit: it is an indus­try haz­ard) with­out actu­ally ask­ing them any­thing. This is where loca­tion– and organisation-based match­ing (cf. MySpace, Face­book, etc.) come in.

But none of this data is intel­li­gently search­able by generic engines.

None of this data (in the case of Myspace espe­cially, hor­ri­bly marked-up doing-everything-wrong-with-the-web tech­ni­cally entity that it is) is avail­able for index­ing by search engines because it’s not abid­ing by any defined seman­tics. There is not, for exam­ple, any over­whelm­ing use of micro­for­mats — hCard, etc. — for defin­ing con­tact details in any com­mon sense. Yet these things are search­able within a given website.

And, what’s more, these things are search­able with great pre­ci­sion within (social net­work­ing) sites. This is because of a very well defined inter­nal seman­tic (not the “seman­tic web”, but inter­nal data struc­tures) and an enforced obe­di­ence to these struc­tures that was never a part of pre-SocNet sites.

Soc­Net plat­forms are rad­i­cally dif­fer­ent from web 1.0 sys­tems in that they are (iron­i­cally) vastly more con­strict­ing. As “web 1.0″ I would cite Geoc­i­ties and free web host­ing ser­vices, por­tals, and all-things-to-all-people con­tent net­works. Now, we’ve got blogs (pre­cisely defined web­sites), MySpace (chiefly Soc­Net pro­files with bits on the fringes com­mon to the users, and now with enough impe­tus to appear unstop­pable), Flickr (free — and fee-for-service that peo­ple actu­ally pay for — web host­ing, pre­cisely defined as photo host­ing), and, strangely, a por­tal (Yahoo!) still on top of Alexa 500 rank­ings. A por­tal that owns both Flickr and Geoc­i­ties, but has changed the model of the lat­ter to place greater empha­sis on fee-for-service host­ing. But I digress into strat­egy — the point is not that, but rather in the way social data is stored.

Flickr is meta-data rich. It uses a well defined sys­tem based on EXIF, intrin­sic seman­tics (title, descrip­tion, tags — tags that get used prop­erly, unlike Face­book which doesn’t bother to make such things clear — I want Face­book to flop, by the way, because it annoys me, so don’t expect nice things to be said about it. It’s a poor closed-system imi­ta­tor, albeit with a stu­pidly effec­tive adver­tis­ing model every­one else should be wish­ing they came up with first but haven’t seen in order to copy… because it’s a closed sys­tem (or used to be) exclu­sive in scope. Which makes it very effec­tive SocNet/Web 2.0, by my own def­i­n­i­tion, so I don’t really have a basis for com­plaint.) and extrin­sic seman­tics (groups, pools, etc.).

Pro­files, unlike ‘pure’ Soc­Net (Myspace, Face­book), per­mit anonymity, but allow dis­clo­sure of as much as is desired: at any rate, that is not the pur­pose of the site. Myspace/Facebook’s rai­son d’etre is pro­files. (Well, and that and cash-cow-marketing-tool of the *R**IA’s of the world) Accord­ingly, its pro­files have very def­i­nite seman­tics even whilst the rest of the site may not (I speak of Myspace more, here). Myspace gives core “Details” pro­file info indi­vid­ual fields, whilst allow­ing a diverse “Inter­ests & Per­son­al­ity” infor­ma­tion in freeform textar­eas that are designed to entice users into par­tic­i­pa­tion (and, pos­si­bly, aid­ing more fuzzy searches — but mostly I think it’s just com­pelling con­tent, as there is no imme­di­ately obvi­ous way to search that data).

“Inter­ests & Per­son­al­ity”, along with blog con­tent, seems to be the only freeform con­tributed mate­r­ial avail­able on the site. Want music or a video with your pro­file? You’ve got to browse to the band’s site, load the player (no go in Opera with Flash at the minute, it seems), and then select “Add” on the track. They (yeah, it’s kinda big-brotherish) know exactly what song you chose, what band it’s from, what genre, etc. — that is to say, unam­bigu­ously and cer­tainly beyond a probably-common song title. This isn’t an upload-yourself-and-we’ll-manage-rights kind of thing. The offi­cial­ity gives that inter­nal data struc­ture that much more depth: but, again, the point is that the data is inter­nal and not open.

This, it seems, is the defin­ing qual­ity of Soc­Net. That’s what makes the ideas of open fed­er­a­tion advo­cated by Google Talk ear­lier this year so bizarre for the rest of us. We don’t par­tic­u­larly care, because closed sys­tems mean inno­va­tion (because we can define new data for our­selves to work with) and/or exten­si­bil­ity that isn’t pos­si­ble in an open plat­form (if, for exam­ple, not all fed­er­ated part­ners agree to a spec exten­sion — take, for exam­ple, Google Talk’s own Jab­ber base and pro­pri­etary VoIP on top of that). Open­ness is in Google’s inter­ests, because it’s so depen­dent on things being open for its core busi­ness (search). But real peo­ple want ser­vices that work, not ser­vices that push them to another site. I’ve never trusted sites that bounce me off to Google for their site’s search, even if it’s one of those crappy co-branded things. It doesn’t make sense. Why would you make some­one inspect your web­site from an infe­rior per­spec­tive when all the infor­ma­tion is stored in a data­base, with the pos­si­bil­ity of more seman­ti­cally mean­ing­ful search open inter­nally only?

Google won’t deal with your inter­nal search needs. It’s not designed to. It does a great job of deal­ing with pub­licly indexed mate­ri­als com­pletely aside from Soc­Net ser­vices. Soc­Net sites thrive on and are empow­ered by strong intrin­sic seman­tics that make clever profile-based (or UGC–based) search pos­si­ble, which builds loy­alty etcetera in a way for­eign to infor­ma­tional web­sites. Soc­Net is expe­ri­en­tial and (sur­prise sur­prise) social — it doesn’t have to be about anything.

Con­tent was deposed as king some­time in the mid­dle of the first decade of the twenty first cen­tury, and with that regime change his deputy, Search, was also shuf­fled to a some­what less promi­nent posi­tion. Some­where out of sight, Search’s iden­ti­cal twin, Query, is the real power behind the throne: it uses unin­dexed data and makes clever links to bring peo­ple closer together in a way that tra­di­tional search engines had never even envisaged.

Slowtime

So I’ve had this PC for how­ever long I’ve had it now, and still haven’t installed Quick­time. As in, I haven’t been putting it off, and I’ve been watch­ing plenty of Quick­time con­tent, but I just haven’t seen the need to. As in, it didn’t cross my mind. Because I can install VLC in a mat­ter of sec­onds with out wor­ry­ing about annoy­ing “upgrade to pro” prompts or bat­tling the web­site to let me down­load a ver­sion with­out full-of-DRM-style-crap music library player wos­sit. What­ever hap­pened to Nullsoft/Winamp, any­way? I’ve been stuck on a lit­tle island called “open-source” (it has pen­guins but is strangely not that uncom­fort­able) for a cou­ple of years… then this mas­sive cruise liner came along and picked me up and offered to take me home for about $200. I didn’t get a glossy brochure about the cruise but it’s func­tion­ally the same, and now I’m back home won­der­ing what tran­spired in my absence. Do peo­ple still use that thing? Any­way, what­ever. Quick­time in the offi­cial sense seems kinda redun­dant with the excep­tion of good/easy browser inte­gra­tion. The end.

# by Josh on October 21st, 2006 Tags:
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Twelve/Six Four Six point Eight

Hours/Kilometers trav­elled for a mag­i­cal chunk of sil­i­con we like to call ‘teh b0xxen’.

I picked up a per­spex case and an absolutely kick-arse Pio­neer DV-344 DVD player. It’s region 4 only, which sucks, and no RGB out­put, which also sucks — there’s YPbPr though. On the good side, a 118dB SNR with 0.0016% THD means it sounds pretty darn good. Only stereo ana­logue out­put, but I don’t care too much about that… there’s opti­cal dig­i­tal out­put if sur­round is required. See­ing as I fairly lit­er­ally ‘found’ this, there’s no remote… which is a lit­tle bit of a bum­mer but what­ever. I mostly wanted it for CD play­back (*lis­tens to Steve crying* — shut up, it sounds freakin’ excel­lent) so it’s no big­gie. How­ever, on the video play­back side of things, it’s absolutely won­der­ful for events in that it doesn’t have any stu­pidly con­spic­u­ous Pio­neer splash screens, etc., instead sport­ing only text-based “Play/Pause/Stop/Open/Eject” titles. The default back­ground colour is black. So that’s rather mag­nif­i­cent. It doesn’t even have a screen­saver so it’s quite safe for use pretty much every­where. A thing of beauty indeed.

Speak­ing of things of beauty, Selo’s com­puter (3800+ DC 939, Asus A8N-SLI, 1GB King­max DDR400 (512MBx2), 6800GS PCI-E, Lightscribe DVD-RW, 120GB, 300GB, 19″ Fujitsu 8ms) is hawt. Heh, espe­cially the Lead­tek 6800GS ;-) Gonna need that Fujitsu screen to cool things down eh? Okay, enough of the air­con­di­tioner jokes! It’s actu­ally quite good. But his case is pretty banged up after being wedged in the boot of a BMW for a cou­ple of months (seller = afflu­ent IT sup­port dude that sells few-months-old hard­ware for cheap!)

Any­way no pho­tos yet because my cam­era is on loan to Budd who will return it soon (or else :)) and then there’ll prob­a­bly be a cou­ple. Some­thing rather shiny should be arriv­ing later this week for me, and there’ll be prob­a­bly pho­tos aplenty of that.

In other acquis­i­tive news, I came by a Sony 4x4” PVM-411CE for cheap (time­code screen burn, really minor) last week and it’s doing fan­tas­ti­cally. It’s the rea­son I’ve actu­ally been able to see DVD out­put from this player thing and hope­fully it’ll mean I need to carry (and, as a pre­req­ui­site to that, beg/borrow/steal) less TVs for var­i­ous applications.

# by Josh on September 27th, 2006 Tags: , , , ,
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Australian copyright reform; or, the Creation of Sensible Legislation.

SMH Arti­cle: Cut­ting crime as easy as MP3

Woot. The best bit:

Schools, uni­ver­si­ties, libraries and other cul­tural insti­tu­tions will in the future be free to use copy­right mate­r­ial for non-commercial purposes.

Dubi­ous bit:

In a big win for record­ing artists, the laws will include the removal of the leg­isla­tive 1 per cent cap on copy­right licence fees paid by radio broad­cast­ers for play­ing sound recordings.

Dubi­ous because I’m really uncer­tain as to how that’s going to pan out… I’m think­ing it’s actu­ally going to fur­ther inhibit the scope of the music we hear on com­mer­cial radio! Non-commercial radio… well, who knows? Is that a “cul­tural institution”?

We’ll see how it pans out. I’m now keen on get­ting an MP3 player/phone that plays MP3s (and has at least 512MB on an SD card, none of this super-tiny-memory stuff you find in phones). Orange stop oper­a­tions at the begin­ning of August, I think, so I’ve got until then…

# by Josh on May 14th, 2006 Tags: ,
| 6 Comments »

DVD audio playback (Yellowcard followup)

Steve writes in with the fol­low­ing gem after my lit­tle jibe at him about using a DVD player for CD-audio play­back:

I worked with some­one the other day who tried to use a DVD player for audio CDs at a show and I made them drive back to the ware­house and pick up a real CD player on the spot.

It’s just not good enough. Their insides and pro­cess­ing isn’t suited to read­ing and decod­ing CD audio, and they DO sound dif­fer­ent (in a worse way).

*gig­gles*

# by Josh on March 7th, 2006 Tags: ,
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