Getting email responses

“Sim­ple name-slug per­son­al­iza­tion can lift the click-through rate by up to 30%. We’ve seen true con­tent per­son­al­iza­tion lift response rates by 300%.”

Rachael Heapps (Rap­pDig­i­tal) in an inter­view with Direct

Obvi­ously this is talk­ing about email mar­ket­ing cam­paigns (though it’s prob­a­bly not a bad idea stick­ing the name of the per­son you’re writ­ing to on per­sonal emails, either!) and is prob­a­bly quite unsur­pris­ing. With a lit­tle bit of intel­li­gent mail­ing (time-of-day sched­ul­ing, etc.) it’s quite triv­ial to make mass emails appear to orig­i­nate from a real per­son. In my last job we sent out over 110,000 “name-slug” cus­tomised emails each week in a lit­tle over 8 hours (~15,000 an hour) and then a lit­tle faster after some opti­mi­sa­tions (I think it was cut down to six), so if you start it not too late in the morn­ing it’s quite pos­si­ble to get out mes­sages over the course of the day that appear as though they have a gen­uine, per­sonal, author. (The pur­pose, of course, being the pro­mo­tion of Australia’s num­ber one cult-of-celebrity morn­ing show!)

Of course that was newslet­ter con­tent, not the “true con­tent per­son­al­iza­tion” [sic] that Heapps speaks of, but for the most part it’s dif­fi­cult to see the appeal of “true con­tent per­son­al­iza­tion” more broadly — busi­nesses will gen­er­ally have a core focus and if their cus­tomers are receiv­ing emails from them it’s prob­a­bly in rela­tion to that core area. Excep­tions are obvi­ously out there… two that spring to mind are wholesalers/distributors and mul­ti­dis­ci­pli­nary cre­ative agen­cies (web/print, event/web, print/vision, etc.) that have fairly dis­tinct groups of clientele.

For churches, “true con­tent per­son­al­iza­tion” could take a vari­ety of forms but prob­a­bly won’t in the kind of auto­mated capac­ity Heapps sug­gests. For exam­ple, you could poten­tially have dif­fer­ent email mes­sages for youth/adults, par­ents (kids ministry)/unmarried/childless adults, men/women. How­ever, I do think these would be dif­fer­ent email mes­sages and not merely “per­son­al­i­sa­tions” of the same core email. Then again, if your church sent out a weekly newslet­ter this might be some­what different.

The way St Matthias does things is sim­ply to send out emails as required to rel­e­vant peo­ple. This isn’t man­aged ter­ri­bly well at present and I’m hop­ing we’ll be able to change that over to a proper email cam­paign sys­tem some­time in the near future (when, you know, spare time rears its ugly head!) — BUT, tech­ni­cal aspects aside — it does mean that there is a cer­tain free­ness in the way things are run.

We can send out emails any time, not just when it’s time for a newslet­ter to drop around — and we don’t need to send out emails at all unless there is some rea­son to. That last point is pretty impor­tant, because it means that peo­ple aren’t stress­ing about cre­at­ing a newslet­ter each week/fortnight/month unnec­es­sar­ily. It also means that email from Matthias, in the eyes of our mem­bers and part­ners receiv­ing mes­sages, remains a vehi­cle emi­nently for the pur­poses of com­mu­ni­ca­tion. In a way, this is our ver­sion of “true con­tent per­son­al­iza­tion”: irrel­e­vance is not expected, and, pre­sum­ably, we get a bet­ter response for it (though email and web cam­paigns are still quite sep­a­rate… by which I mean to say web cam­paigns are non-existent, and we can’t track email responses accordingly!)

There is, of course, a fac­tor of size. A youth­group with even 40 kids and six or seven lead­ers is prob­a­bly going to strug­gle to write enough con­tent for a newslet­ter each week — or, even if they’re not strug­gling, there are per­haps bet­ter ways they could have spent that time. A larger group might find it immensely help­ful to keep in touch this way.

“Newslet­ter” is a fairly abstract term, how­ever, and don’t hear me say­ing there’s no role for emails that don’t com­mu­ni­cate any­thing new. They’re great for send­ing reminders (auto­matic or man­u­ally crafted) about events even where peo­ple have known about the events for ages. They’re also great for con­sol­i­dat­ing things that have already been said or done (though I per­son­ally see much less of this hap­pen­ing — reflec­tion is more the realm of blogs these days than email, per­haps). Most of all, they’re great when they’re per­sonal and rela­tional. A cold form-mail doesn’t have the same impact as a warm or slightly jovial form-mail, and even the slightly jovial form-mail pales in com­par­i­son with a tru­ely per­sonal mes­sage (in com­po­si­tion and content).

Which raises the ques­tion as to whether this whole thing seems strangely verisimil­i­tudi­nous for a rea­son. We strive to emu­late this per­sonal essence in mechan­i­cal utter­ances (oh, gosh, it’s AH all over again) and find that we can lift our response rates with “true” (there’s the verisimil­i­tude, I guess) con­tent personalisation.

But this is just shout­ing in the mar­ket­place. If we will blame email and elec­tronic com­mu­ni­ca­tions for the decay of inter­ac­tion in soci­ety, we must remem­ber that it is cer­tainly not the first one-to-many medium. The only dif­fer­ence I can see is that, in this mar­ket­place, there are some­times walls of one-way glass that pre­vent reply. That metaphor is inter­est­ing, because it sug­gests that the speaker (the observed one, speak­ing to the mar­ket­place) is the one most dis­ad­van­taged by this cir­cum­stance. We have no right to reply, but they can­not even see us. They know noth­ing about their audi­ence; their audi­ence can­not steer them in the right direction.

This isn’t some Clue­train bea­tup, but an obser­va­tion of what is, upon a lit­tle reflec­tion, self-evident. Essen­tially, if you have a mes­sage to get across to peo­ple, don’t make their job in receiv­ing it any more dif­fi­cult than it needs to be. If you have ambi­gu­i­ties in your mes­sage, let them ask. The ten­dency of organ­i­sa­tions to use no-reply@example.org email addresses is com­pletely con­trary to rea­son with regards to this issue of com­mu­ni­ca­tion. The one excep­tion is mass media, which is, it must be said, def­i­nitely not most of us.

Yamaha TSS-15W

I’ve been mean­ing to get some decent speak­ers setup here in this office area ever since we moved in, but never got around to it until yes­ter­day. Because of the space, and where peo­ple are sit­ting (all over the place, no-one fac­ing the any direc­tion in par­tic­u­lar), it was pretty clear a con­ven­tional “stereo” setup wouldn’t cut it. Roof speak­ers would have been an option in any other space, but not here — the roof doesn’t actu­ally cover the entire space, with a cut-out from the floor above look­ing over it (kinda dif­fi­cult to explain if you haven’t seen it!)

So sur­round in stereo mode was clearly required. It also would be, in all prob­a­bil­ity, the cheap­est way of achiev­ing this setup. I could have bought four speak­ers and an amp with two speaker bus out­puts (my JVC receiver does that, but it’s stay­ing in my room because the extra juice is needed for my chunky 70’s-ish-vintage speak­ers), but it’d likely be more expen­sive, and larger than an inte­grated sur­round sys­tem (because such things gen­er­ally have satel­lite speakers).

The space also elim­i­nates the need for an overly pow­er­ful sys­tem: it’s an open space in the cen­tre of the house. At any rate, I per­son­ally pre­fer clar­ity over astound­ingly noisy noise, so per­sonal pref­er­ence plays a part in this, too.

Enter the Yamaha TSS-15W. It’s not the world’s most pow­er­ful sys­tem, but nearly per­fect for the appli­ca­tion. Back in the early days of Atomic (Issue 2, Page 38. Not that I checked or any­thing.), the TSS-15’s pre­de­ces­sor (actu­ally, the TSS-1, the prod­uct line’s first) was reviewed.

That review fairly neatly sur­mises why this prod­uct appeals to me:

It used to be that all you wanted from a set of speak­ers was some good qual­ity loud noise and a gen­eral “Scare the neigh­bours” bass level. Not anymore.

Indeed. The TSS-15 gives con­sis­tent clar­ity to as loud as it goes: the only way to make it dis­tort or clip is by feed­ing it an already-clipped sig­nal. As it stands, it goes plenty loud for this space, which is roughly 5×7×2.5 meters (though the height mea­sure­ment gets a lit­tle weird, because of the roof), so I’m not too wor­ried about clar­ity at max volumes.

The prod­uct has changed lit­tle since it was first reviewed in early 2001 (Atomic just turned 5. I think my maths is cor­rect…), fea­tur­ing five 6 watt satel­lites with wall-mounts, and a sin­gle 18 watt sub­woofer: exactly the same as the orig­i­nal spec. Cos­met­i­cally, they’re a lit­tle pret­tier than the orig­i­nal, in a light sliver/white that matches the walls in here far bet­ter than the TSS-1’s all-black façade pos­si­bly would.

Photo: The Yamaha TSS-15W

So I’m happy. The only sig­nif­i­cant change to the prod­uct is an increase in the num­ber of inputs.

On this count, the TSS-15 is pretty impres­sive, sport­ing ana­logue RCA inputs, two TOSLINK opti­cal dig­i­tal inputs (the orig­i­nal had only one), and a sin­gle coax­ial dig­i­tal input. Clearly, it’s a prod­uct for bud­get home the­atre… but it also serves quite well in its role as a piece of not-quite-so-cheap PC audio gear.

Of course, over five years, one would expect more to change. Price espe­cially. The orig­i­nal TSS-1 was retail­ing for $AU499 when Atomic reviewed it, and yes­ter­day we paid $270 for what is, essen­tially, the same device.

I’d haz­ard the cost of Dolby and DTS (they’re sep­a­rate, com­pet­ing enti­ties: The TSS-15 sup­ports Dolby Dig­i­tal, Pro Logic, and Pro Logic II, as well as DTS and AAC) licens­ing has prob­a­bly dropped lots, which is likely to be a part of it, but also the mar­ket­place is a lot more price-competitive than it once was.

In all, it sounds great, costs lit­tle, and is nearly per­fect for use in this envi­ron­ment. Nearly? Yes, well. If, instead of a dig­i­tal receiver, Yamaha had included a pow­ered 12 chan­nel stereo mixer, I’d be happy with it beyond words. Fail­ing that, it’s a great lit­tle device well suited to pro­vid­ing crisp, clear audio in a small office or home the­atre environment.

Yamaha TSS-15W Specifications
Ampli­fier Unit
Out­put per channel Front/centre/surround 6W × 5 (1kHz, 4Ω, 10% THD)
Sub­woofer 18W (100Hz, 4Ω, 10% THD)
Input Sen­si­tiv­ity 200mV
H.P. Out­put Level/Output Impedance 450 mV/30 Ω (1 kHz, 200 mV)
Fre­quency Response 40 Hz — 20kHz
Dimen­sions (W × H × D) 102 mm × 260 mm × 196 mm
Power con­sump­tion 40W
Satel­l­lite speakers
Type Full range speaker sys­tem acoustic suspension
Dri­ver 5 cm (2″) cone type
Imped­ance 4 Ω
Dimen­sions 70 mm × 91 mm × 110 mm (includ­ing stand)
Weight 0.4 KG
Sub­woofer
Type Active Servo Pro­cess­ing Sub­woofer System
Dri­ver 13 cm (5″) cone woofer
Imped­ance 4 Ω
Dimen­sions 220 mm × 239 mm × 220 mm
Weight 3.4 KG
# by Josh on January 22nd, 2006 Tags: , , , , ,
| 3 Comments »

Carols prep

A photo of my messy living room

I just turned off every­thing hav­ing fin­ished playing/editing for the night, and took a step back to realise how much of a mess I’d cre­ated. There’s some excess gear (i.e. not for car­ols) in that shot above, but I’m still going to end up trans­port­ing more stuff than you can see there. Sigh. Good fun, though.

I might throw a web ver­sion up later (not quite at the stage where I can stream stuff live just yet — give it a few months ;-)), because there are only two car­ols on the pro­gramme under APRA/CCLI (the rest are public-domain)… so I might just cut out those two songs and pub­lish the rest. If I can be both­ered, and have time to setup cap­ture, and cap­ture works okay. Haven’t exactly got a DVC-PRO deck lying around, so I’ll be cap­tur­ing straight to a PC… the prob­lem is the PC with cap­ture gear I want to use for replay.

Inci­den­tally, whilst walk­ing the dog today, I stum­bled upon about 10 com­put­ers that had been dumped on the side of the road (not as sus as it sounds… the foot­path was raised from the road, so it looked like some­one had just had some fun chuck­ing them off the edge. Mostly old Pen­tiums and so on.) and wound up car­ry­ing two of them home (whilst try­ing to hold a dog) — my arms hurt. Why did I carry two of them home? I was curi­ous as to what was in them and wasn’t car­ry­ing a screw­driver on my keyring, because one looked like an ATX case (it wasn’t, just a slightly slimmer-than-usual-AT-case) and the other had Com­pos­ite, S-Video, and an ambiguously-named “CCD-IN” port (it’s a 9-pin DIN socket I think… can’t be both­ered get­ting up to check!) on a card on the back.

The moth­er­boards are pretty good for their vin­tage (ATX-supporting Socket 7, one with onboard hard­ware audio and graph­ics… no, it’s not a Dell or Gate­way or any of that pro­pri­etry crap.), but it still wasn’t worth car­ry­ing them. And there’s no way I can be both­ered car­ry­ing them back now!

Any­way this card with S-Video and Com­pos­ite sock­ets on it is actu­ally an old-ish cap­ture card, which might work with V4L and almost cer­tainly doesn’t work with post-Windows ’98/NT4.0 Microsoft sys­tems. Chances are it’d be crap qual­ity cap­ture any­way, and I’m unlikely to have time to setup/even try to setup it in any semi-working fash­ion before Sun­day afternoon!

(Aside: I really need to buy an el-cheapo $60 TV-tuner for another com­puter at some point.)

Okay, I’m off to bed. Got to wake up tomor­row, ren­der video, check UAI, panic/celebrate/think “I was anx­ious about that?”/get over it, do inven­tory here, then pack a van full of gear (oh and need to find boxes for my LCDs… should do that now actu­ally, bit wor­ried about them) and go and panic some more about how I have not enough cam­eras and not enough cables. Of course, if I have no cam­eras then the absence of cables ceases to be such a sen­si­tive issue. Just gotta pray lots about it… there’s not really much more I can do at this point.

Oh, and if my post­ing about this strikes any­one as being in a more con­cerned tone than with pre­vi­ous events, it’s because this lit­tle excur­sion into vision is some­thing new for me. I’ve encoun­tered all this stuff before, but never in the capac­ity that if some­thing screwed up dur­ing the event it’d be con­sid­ered my fault ;-) Well, you know, shots of the wrong ‘guest speaker’ at SACS speech night betrayed by an uncer­tain zoom out aside. Doo bee doo.

# by Josh on December 16th, 2005 Tags: , , , , , ,
| No Comments »

Societal criticism in Browning’s “Porphyria’s Lover”

I wrote this essay about a month ago, but didn’t pub­lish it at the time in part because I wasn’t sure if I was shoot­ing way off the mark with my gothic con­no­ta­tions (yeah, I’m self con­scious some­times… bah!), but also because I sim­ply for­got. I dis­cov­ered an essay writ­ten in 1986 ear­lier today, how­ever, that reminded me to pub­lish this essay. It was titled “Browning’s Use of Vam­pirism in ‘Porphyria’s Lover’”, and was writ­ten by Michael L. Bur­duck*. Nice to know I’m not the only one who thought that.

By the way, Burduck’s essay does a much bet­ter job explain­ing the Gothic con­ven­tions employed because that was its pur­pose. In mine, they are merely alluded to whilst the key con­cept pre­sented is that of soci­etal crit­i­cism through depict­ing the plight of the indi­vid­ual (in line with the Board of Stud­ies Eng­lish Exten­sion 1 syl­labus). Two dif­fer­ent things entirely — I say all this only to dis­pel any poten­tial accu­sa­tion of plaguar­ism that may arise.

Any­way, enough about all that. 1048 words. Read the rest of this entry »

Extension 1 presentation

At least one of these has to work okay with the school’s tech­nol­ogy…
Native OpenOf­fice
MS Pow­er­point

Macro­me­dia Flash
Adobe PDF

*Josh really really really hopes fonts embed­ding works properly*

Aaaannnddd the Flash ver­sion worked great, fonts and all! Thankyou, OpenOffice!

Full­text of the pre­sen­ta­tion, with slide cues, as promised. PDF, file­size: stu­pidly large (280KB). Don’t know what hap­pened there!

As for the con­tent of the thing, no jokes are required about me being unable to write an essay/speech with­out ref­er­ence to acces­si­bil­ity! It’s purely inci­den­tal, I promise! On a slightly more seri­ous note, if some of the sen­tences utterly suck, chances are I didn’t speak them that way… my paper ver­sion had a few pencilled-in cor­rec­tions, and then there was the inevitable “read but speak dif­fer­ently” fac­tor. The end.

Read on for a HTML ver­sion of the same. Read the rest of this entry »

Extension 2 stress

Or maybe just “extended stress”? Either way.

I’ve got a draft due at the end of next week, but iron­i­cally I’m not wor­ried about that so much. Of greater con­cern is the bun­dle of paper that has, for the past sev­eral months, sat rel­a­tively dor­mant atop a speaker in my room. So… umm… the glue is get­ting a work­out this week­end. Note to self — buy glue.

Hap­haz­ard organ­i­sa­tion is per­mit­ted, per­haps even encour­aged — insert some rub­bish about reflect­ing cre­ativ­ity here. I believe in spon­tene­ity and a cer­tain extent of anar­chy in com­po­si­tion, but, in my expe­ri­ence, there’s lit­tle that can’t be actu­ally coher­ently doc­u­mented — in fact, ‘spon­tene­ity’ gen­er­ally has a cat­a­lyst, although our abil­ity to rec­ol­lect these cir­cum­stances will fail. Essen­tially, I’m going to pre­pare a doc­u­ment I have lit­tle faith in the authen­tic­ity of. But that’s okay, pro­vided I do it well, and make it look substantial.

Gaps are cre­ativ­ity. Or something.

As for the draft that is due, I con­sider that to be more of a process that must be under­taken at some point, rather than any­thing of inher­ent impor­tance. Which, it may be added, is some­thing of an inver­sion of my per­spec­tive of some months ago when I first sub­mit­ted a pro­posal. Ini­tially, I believed the end prod­uct was ulti­mate, and the process was a nec­es­sary evil that must be under­taken to pla­cate markers.

I sup­pose not that much has changed — I’ve just refined my view­points some­what. The doc­u­men­ta­tion of process is still a nec­es­sary evil, but I don’t feel like the end prod­uct is so vital. Don’t under­stand that as my say­ing “I’m demo­ti­vated”… I’m per­fectly fine in terms of that.

I now respect process as nec­es­sary for the cre­ation of com­plex ideas, and the shap­ing of direc­tion from a bunch of (mostly) unre­lated threads. Right now, how­ever, I per­ceive the idea (“per­ceive” because it may change, of course) to have reached clo­sure. I recog­nise the plot in its entirety. I could now talk any indi­vid­ual through the story, ver­bally, albeit per­haps with­out the same elo­quence that may be achieved on paper, sans sponteneity.

Of course, the process of the writ­ing itself refines, but… I don’t mind the idea as is. And that’s what the process is about. Ideas. Not tan­gi­ble sen­tences, struc­ture, seman­tics and implicit post-modernist (con­trived) nuance, but con­cepts. Some­times, con­cepts work bet­ter than their extrap­o­lated cousins. Not, it must be said, in an under­de­vel­oped way — but sim­ply in terms of power of expres­sion. And confidence.

I think that’s a big part of it, actu­ally. Recog­nis­ing you have an idea and only you can put it onto paper. That it won’t go any­where from your mind, unless some­one else thinks of it, at which point it ceases to be your idea. The con­fi­dence that jus­tice can be done to a notion. Writ­ing some­thing that will be read, and that the author is pre­pared to have read. That it can be ade­quately rep­re­sented — this is my great­est concern.

My unre­lated threads are:

  • a work placement
  • new tech­nol­ogy at school
  • a web devel­op­ment proposal
  • weblogs
  • cyn­i­cism
  • influ­en­tial people/authors of related texts
  • other “stuff” I’ve read, influ­enc­ing style

Motivational what?

Appar­ently our year group is being sub­jected to two hours of moti­va­tional speaker tomor­row morn­ing. There’s my remark­ably pos­i­tive out­look for you — hey, at least it doesn’t involve work ;)

No, I do not need moti­va­tion. Go away! Muwahahaha.

# by Josh on February 7th, 2005 Tags:
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